Difference between revisions of "Polydor 15319 (Version 2)"
From PUBLIC DOMAIN PROJECT MEDIAPOOL
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|Content= * Side A: Alois Melichar (1896-1976): Pizzicato-Polka ([[:en:Johann Strauss II|Johann Strauss II]] (1825-1899) and [[:en:Josef Strauss|Josef Strauss]] (1827-1870)) | |Content= * Side A: Alois Melichar (1896-1976): Pizzicato-Polka ([[:en:Johann Strauss II|Johann Strauss II]] (1825-1899) and [[:en:Josef Strauss|Josef Strauss]] (1827-1870)) | ||
* Side B: Alois Melichar (1896-1976): Ball-Scène ([[:en:Josef Hellmesberger, Sr.|Josef Hellmesberger, Sr.]] (1828-1893)) | * Side B: Alois Melichar (1896-1976): Ball-Scène ([[:en:Josef Hellmesberger, Sr.|Josef Hellmesberger, Sr.]] (1828-1893)) | ||
| − | |Description= Record requires careful cleaning; grooves | + | |Description= Record requires careful cleaning; damaged grooves; see also: [[Polydor 15319|alternative version]] |
|other_versions= | |other_versions= | ||
}} | }} | ||
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[[Category:PD:EURO-SD30-00001]] <!-- Archive container --> | [[Category:PD:EURO-SD30-00001]] <!-- Archive container --> | ||
[[Category:PD:Records requires careful cleaning]] <!-- Cleaning process --> | [[Category:PD:Records requires careful cleaning]] <!-- Cleaning process --> | ||
| − | [[Category:PD:Records with grooves | + | [[Category:PD:Records with damaged grooves]] <!-- Damaged records --> |
Revision as of 00:24, 18 September 2012
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| Notes | |||||||
| Medium | 78 rpm record (double sided, 12") | ||||||
| Label | Polydor Records | ||||||
| Cat. no. | 15319 A/B | ||||||
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| Matrix/StamperID | [[StamperID::1421 GS (Version 2) / 1422 GS (Version 2) ]] | ||||||
| 1st release date | 1941 | ||||||
| Place of recording | Berlin (German Reich) | ||||||
| 1st recording date | 17 February 1940 (1421 GS) / 17 February 1940 (1422 GS) The date "17 February 1940 (1421 GS) / 17 February 1940 (1422 GS)" was not understood. The date "17 February 1940 (1421 GS) / 17 February 1940 (1422 GS)" was not understood. |
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| Coupling date | 1940 (printed on record) | ||||||
| Cutout date | unknown The date "unknown" was not understood. |
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| References | Martin Osterwalder collection, CHARM | ||||||
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