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Property:Schema:description

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Columbia DX 1288 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.11: Air: The people that walked in the darkness (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.12: Chorus: For Unto us a Child is Born (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1289 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.13: Chorus: Pastoral Symphony (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.14: Recit: (a) There were shepherds; (b) And Io, the Angel of the Lord; (c) And suddenly; Chorus: Glory to God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1290 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.15: Air: Rejoice greatly O daughter of Zion (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.16: Recit: Then shall the eyes of the blind; Air: He shall feed his flock (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1291 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.17: Air: He shall feed his flock (Part Two) (Come unto Him) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.18: Chorus: His Yoke is Easy (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1292 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.19: Chorus: Behold the Lamb of God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.20: Air: He was despised (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1293 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.21: Chorus: Surely he hath borne our griefs (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.22: Chorus: And with His Stripes (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1296 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.27: Chorus: Lift up your heads (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.28: Chorus: The Lord gave the word; Air: How Beautiful are the Feet (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1297 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1299 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.33: Air: I Know that my Redeemer Liveth (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.34: Air: I Know that my Redeemer Liveth (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1300 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.36: Recit: Behold, I tell you a mystery; Air: The Trumpet shall sound (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1301 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.37: Chorus: Worthy is the Lamb (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.38: Chorus: Amen (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1363 + * Side A: [[:en:André Kostelanetz|André Kostelanetz]] (1901-1980) and his orchestra: Oklahoma Selection (Part 1) (Composer: [[:en:Richard Charles Rodgers|Richard Charles Rodgers]] (1902-1979) and Lyricist: [[:en:Oscar Hammerstein II|Oscar Hammerstein II]] (1895-1960)) * Side B: André Kostelanetz (1901-1980) and his orchestra: Oklahoma Selection (Part 1) (Composer: Richard Charles Rodgers (1902-1979) and Lyricist: Oscar Hammerstein II (1895-1960))   +
Columbia DX 1536 + * Side A: London Brass Players; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980): A Trumpet Voluntary (Composer: Henry Purcell (1659-1695); in fact the work of Jeremiah Clarke (1674-1707)) * Side B: Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980): Trumpet Concerto in E Flat (Composer: Joseph Haydn (1732-1809))   +
Columbia DZ 266 + * Side A: Charles Trenet (1913-2001) acc. par Wal Berg (Valdimir Rosenberg) (1910-1994) et son Orchestre: Biguine a Bango (Paroles et Musique de [[:en:Charles Trenet|Charles Trenet]] (1913-2001)) * Side B: Charles Trenet (1913-2001); au piano: Charles Levannes (?): Annie (Anna) (Chanson) (Paroles et Musique de [[:en:Charles Trenet|Charles Trenet]] (1913-2001))   +
Columbia DZ 505 + * Side A: [[Wikipedia:Sy Oliver|Sy Oliver]] (1910-1988) leading the [[Wikipedia:Metronome All-Stars|Metronome All-Stars]] ([[Wikipedia:Charlie Shavers|Charlie Shavers]] (1920-1971), trumpet; [[Wikipedia:Lawrence Brown (musician)|Lawrence Brown]] (1907-1988), trombone; [[Wikipedia:Johnny Hodges|Johnny Hodges]] (1906-1970), alto; [[Wikipedia:Coleman Hawkins|Coleman Hawkins]] (1904-1969), tenor; [[Wikipedia:Harry Carney|Harry Carney]] (1910-1974), baryton; [[Wikipedia:Nat King Cole|Nat King Cole]] (1919-1965), piano; Bob Ahern (unknown birth/death), guitar; [[Wikipedia:Eddie Safranski|Eddie Safranski]] (1918-1974), bass; [[Wikipedia:Buddy Rich|Buddy Rich]] (1917-1987), drums; Vocal by [[Wikipedia:Frank Sinatra|Frank Sinatra]] (1915-1998)): [[Wikipedia:Sweet Lorraine|Sweet Lorraine]] (1928) (Composer: [[Wikipedia:Cliff Burwell|Cliff Burwell]] (1898-1977) and Lyricist: [[Wikipedia:Mitchell Parish|Mitchell Parish]] (1900-1993); Music arranger: Sy Oliver (1910-1988) * Side B: Sy Oliver (1910-1988) leading the Metronome All-Stars (Charlie Shavers (1920-1971), trumpet; Lawrence Brown (1907-1988), trombone; Johnny Hodges (1906-1970), alto; Coleman Hawkins (1904-1969), tenor; Harry Carney (1910-1974), baryton; Nat King Cole (1919-1965), piano; Bob Ahern (unknown birth/death), guitar; Eddie Safranski (1918-1974), bass; Buddy Rich (1917-1987), drums; Vocal by King Cole (1919-1965) and [[Wikipedia:June Christy|June Christy]] (1925-1990)): Nat Meet June (Composer: Randy Mergentroid (unknown birth/death))   +
Columbia FC 25059 + * Side A: Soprano: [[:en:Maria Callas|Maria Meneghini Callas]] (1923-1977); The Philharmonia Orchestra; Conductor: Tullio Serafin (1878-1968): 1. Madame Butterfly: a) Acte II: Un bel di, vedremo; b) Acte II: Con onor muore (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))); 2. La Bohème: c) Acte I: Mi chiamano Mimi; b) Acte III: Dondo lieta usci (La Bohème (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Soprano: Maria Meneghini Callas (1923-1977); The Philharmonia Orchestra; Conductor: Tullio Serafin (1878-1968): 1. Le Barbier de Séville: a) Acte I: Cavatine: Una voce poco fa (The Barber of Seville (Composer: Gioachino Rossini (1792-1868); Lyricist: Cesare Sterbini (1784-1831))); 2. Lakmé: b) Acte II: Dov'è l'Indiana bruna? (Lakmé (Composer: Léo Delibes (1836-1891); Lyricists: Edmond Gondinet (1828-1888) and Philippe Gille (1831-1901)))   +
Columbia L 1771 + * Side A: [[:en:Royal Concertgebouw Orchestra|Koninklijk Concertgebouworkest]]; Conductor: [[:en:Willem Mengelberg|Willem Mengelberg]] (1871-1951): Tannhäuser Overture, part 3 (Composer: [[:en:Richard Wagner|Richard Wagner]] (1813-1883)) * Side B: Koninklijk Concertgebouworkest; Conductor: Willem Mengelberg (1871-1951): Tannhäuser Overture, part 4 (Composer: Richard Wagner (1813-1883))   +
Columbia LB 109 + * Side A: Pianoforte Solo by [[Wikipedia:Dinu Lipatti|Dinu Lipatti]] (1917-1950): [[Wikipedia:Siciliana|Siciliana]] (from Sonata No.2 in E flat major for Flute and Cembalo) (Composer: [[Wikipedia:Johann Sebastian Bach|Johann Sebastian Bach]] (1685-1750) and Music arranger: [[Wikipedia:Wilhelm Kempff|Wilhelm Kempff]] (1895-1991)) * Side B: Pianoforte Solo by Dinu Lipatti (1917-1950): [[Wikipedia:Jesu, Joy of Man's Desiring|Jesu, Joy of Man's Desiring]] (from Church Cantata No. 147) (Composer: Johann Sebastian Bach (1685-1750 and Music arranger: [[Wikipedia:Myra Hess|Myra Hess]] (1890–1965))   +
Columbia LX 1039 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.1: 1st Movement (1st part) - Allegro (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.2: 1st Movement (Conclusion) - Allegro (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia LX 1040 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia LX 1041 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.5: 3rd Movement: Minuetto and Trio - Moderato grazioso (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.6: 4th Movement - Presto con fuoco (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia ZZ 1171 + * Side A: Trio Verbanella e l'Orchestra Cédric Dumont (1916-2007): La barca dei sogni (1942) ([[Wikipedia:de:Slowfox|Fox lento]]) (Composer: [[:en:Cosimo Di Ceglie|Cosimo Di Ceglie]] (1913-1980) and Lyricist: [[:en:Gian Carlo Testoni|Gian Carlo Testoni]] (1912-1965)) * Side B: Trio Verbanella e l'Orchestra Cédric Dumont (1916-2007): Fior di rose (Tango) (Composer: [[:en:Carlo Goldoni|Carlo Goldini]] (1707-1793))   +
Columbia ZZ 1300 + * Side A: Gesangsduo: Kessler und Päuli Fuchs; Eddie Brunner (1912-1960) und sein Orchester: Gruss ans alte Wien (Walzerlied) (Composer: [[:en:Jakob Kessler|Jakob Kessler]] (?)) * Side B: Gesangsduo: Kessler und Israng; Eddie Brunner (1912-1960) und sein Orchester: Die Försterliesel (Walzerlied) (Composer: [[:en:Jakob Kessler|Jakob Kessler]] (?))   +
Columbia-11805-fx214 +https://en.wikipedia.org/wiki/Serse  +, dito with [[Columbia-d17211-fx214| Columbia D 17211 (FX 214)]] (pressed in the Netherlands) soprano with organ and violin accompaniment  +
Columbia-11805-fx215 +([[Wikipedia:Prelude and Fugue in C major, BWV 846|Méditation sur le Premier Prélude de Piano de S. Bach]]) ([[IMSLP:Prelude and Fugue in C major, BWV 846 (Bach, Johann Sebastian)|Prelude and Fugue in C major, BWV 846]]) [[Columbia 11805|Columbia 11805]]  +
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