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A list of all pages that have property "Schema:description" with value " * Side A: Howard Barlow (1892�72) and the Firestone Symphony Orchestra ". Since there have been only a few results, also nearby values are displayed.

Showing below up to 10 results starting with #1.

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List of results

  • Victrola 739  + ( * Side A: Giovanni Martinelli (1885-1969)
    * Side A: Giovanni Martinelli (1885-1969), Harp accomp. Francis J. Lapitino (?): Mattinata ("Tis the Day") (Composer: [[Wikipedia:Ruggero Leoncavallo|Ruggero Leoncavallo]] (1857-1919)) * Side B: Giovanni Martinelli (1885-1969): Ideale (My Ideal) (Composer: [[Wikipedia:Paolo Tosti|Paolo Tosti]] (1846-1916))
    ia:Paolo Tosti|Paolo Tosti]] (1846-1916)) )
  • Kalophon 2113/2114  + ( * Side A: Glockenspiel: Billy Whitlock (F
    * Side A: Glockenspiel: Billy Whitlock (Frederick Gabriel Penna (1874-1951)): The Prettiest Song of all (Composer: Henriet Percy (?)) * Side B: Glockenspiel: Billy Whitlock (Frederick Gabriel Penna (1874-1951)): Silberglöckchen (Composer: Billy Whitlock (Frederick Gabriel Penna (1874-1951))
    ock (Frederick Gabriel Penna (1874-1951)) )
  • Odeon O-11689  + ( * Side A: Grosses Odeon-Künstler-Orcheste
    * Side A: Grosses Odeon-Künstler-Orchester mit Männerchor: Im Klostergarten (In a Monastry Garden) (Composer: [[:en:Albert William Ketèlbey|Albert William Ketèlbey]] (1875-1959)) * Side B: Grosses Odeon-Künstler-Orchester mit Männerchor: Auf einem persischen Markt (In a Persian Market) (Intermezzo-Szene) (Composer: [[:en:Albert William Ketèlbey|Albert William Ketèlbey]] (1875-1959))
    ey|Albert William Ketèlbey]] (1875-1959)) )
  • Electrola EG 1222  + ( * Side A: Grosses Orchester: Ouvertüre zu
    * Side A: Grosses Orchester: Ouvertüre zu "Don Juan" 1. Teil ([[:en:Don Giovanni|Don Giovanni]] ([[:en:Wolfgang Amadeus Mozart|Wolfgang Amadeus Mozart]] (1756-1791)) * Side B: Grosses Orchester: Ouvertüre zu "Don Juan" 2. Teil ([[:en:Don Giovanni|Don Giovanni]] ([[:en:Wolfgang Amadeus Mozart|Wolfgang Amadeus Mozart]] (1756-1791))
    rt|Wolfgang Amadeus Mozart]] (1756-1791)) )
  • Electrola EG 1195  + ( * Side A: Grosses Orchester: Ouvertüre zu
    * Side A: Grosses Orchester: Ouvertüre zu "Die Zauberflöte" 1. Teil ([[:en:The Magic Flute|The Magic Flute]] ([[:en:Wolfgang Amadeus Mozart|Wolfgang Amadeus Mozart]] (1756-1791)) * Side B: Grosses Orchester: Ouvertüre zu "Die Zauberflöte" 2. Teil ([[:en:The Magic Flute|The Magic Flute]] ([[:en:Wolfgang Amadeus Mozart|Wolfgang Amadeus Mozart]] (1756-1791))
    rt|Wolfgang Amadeus Mozart]] (1756-1791)) )
  • HMV EH 611  + ( * Side A: Grosses Orchester; Dirigent: Cl
    * Side A: Grosses Orchester; Dirigent: Clemens Schmalstich (1880-1960): Die Meistersinger von Nürnberg (Grosse Fantasie, bearbeitet von Leopold Weninger (1879-1914), 1. Teil) (Die Meistersinger von Nürnberg ([[:en:Richard Wagner|Richard Wagner]] (1813-1883))) * Side B: Grosses Orchester; Dirigent: Clemens Schmalstich (1880-1960): Die Meistersinger von Nürnberg (Grosse Fantasie, bearbeitet von Leopold Weninger (1879-1914), 2. Teil) (Die Meistersinger von Nürnberg ([[:en:Richard Wagner|Richard Wagner]] (1813-1883)))
    ard Wagner|Richard Wagner]] (1813-1883))) )
  • Polydor 14935  + ( * Side A: Harmonie-Orchestre (Conductor: Georg Scharf): Aus Stahl und Eisen (Composer: Otto Rathke (1881-1936)) * Side B: Harmonie-Orchestre (Conductor: Georg Scharf): Mit Bomben und Granaten (Composer: Benjamin Bilse (1816-1902)) )
  • Victor 16007  + ( * Side A: Harold August Jarvis (1864-1924
    * Side A: Harold August Jarvis (1864-1924): Jesus, I am Resting (Composer: James Mountain (1844-1933) and Lyricist: Jean Sophia Pigott (1845-1882)) * Side B: Frederic C. Freemantel (* 19th century): My Jesus, I Love Thee (Composer: Adoniram Judson Gordon (1836-1895) and Lyricist: William Ralph Featherstone (1846-1873))
    : William Ralph Featherstone (1846-1873)) )
  • Odeon O-4066  + ( * Side A: Hawaiian Guitar Duett [[:en:Fra
    * Side A: Hawaiian Guitar Duett [[:en:Frank Ferera|Ferera]] och [[:en:John K. Paaluhi|Paaluhi]]: La Paloma (The Dove) (Composer: [[:en:Sebastián Iradier|Sebastián Iradier]] (1809-1865)) * Side B: Ferera and Paaluhi Hawaiian Instrumental, New York: Mari, Mari (Composer: unknown)
    New York: Mari, Mari (Composer: unknown) )
  • V-Disc 247  + ( * Side A: Howard Barlow (1892-1972) and t
    * Side A: Howard Barlow (1892-1972) and the Firestone Symphony Orchestra: Russian Sailors' Dance (from the "Red Poppy") (Composer: [[:en:Reinhold Glière|Reinhold Glière]] (1875-1956)) * Side B: Howard Barlow (1892-1972) and the Firestone Symphony Orchestra: Persian Dance (from "Khowantchina") (Composer: [[:en:Modest Mussorgsky|Modest Mussorgsky]] (1839-1881))
    ssorgsky|Modest Mussorgsky]] (1839-1881)) )
 ( * Side A: Howard Barlow (1892�72) and the Firestone Symphony Orchestra )
  • Columbia DX 1301  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.37: Chorus: Worthy is the Lamb (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.38: Chorus: Amen (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1296  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.27: Chorus: Lift up your heads (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.28: Chorus: The Lord gave the word; Air: How Beautiful are the Feet (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1293  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.21: Chorus: Surely he hath borne our griefs (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.22: Chorus: And with His Stripes (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1292  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.19: Chorus: Behold the Lamb of God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.20: Air: He was despised (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1287  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.09: Aria: O thou that tellest (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.10: Recit: For behold, darkness shall cover the earth (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1297  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1300  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.36: Recit: Behold, I tell you a mystery; Air: The Trumpet shall sound (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Columbia DX 1286  + ( * Side A: Huddersfield Choral Society (Ch
    * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.07: Chorus: And He Shall Purify (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.08: Recit: Behold a virgin shall conceive; Air: O thou that tellest (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))
    d Lyricist: Charles Jennens (1700-1773))) )
  • Jumbola-Record 1290/1293  + ( * Side A: Humorist: Hans Blädel (München)
    * Side A: Humorist: Hans Blädel (München) mit Orchesterbegleitung: Der traurige Witwer (Composer and lyricist: [[:en:Hans Blädel|Hans Blädel]] (1871-1937)) * Side B: Humorist: Hans Blädel (München) mit Orchesterbegleitung: Der Seppl vom Land (Composer and lyricist: [[:en:Hans Blädel|Hans Blädel]] (1871-1937))
    en:Hans Blädel|Hans Blädel]] (1871-1937)) )
  • Victor 18889  + ( * Side A: International Novelty Orchestra
    * Side A: International Novelty Orchestra: You Can Have Ev'ry Light on Broadway (Fox Trot) (Give Me That One Little Light at Home) (Composer: [[Wikipedia:Seymour Simons|Seymour Simons]] (1896-1949)) * Side B: Club Royal Orchestra (Conductor: Clyde Doerr (1894-1973)): Lovey Dove (Fox Trot) (from the operetta "The Rose of Stamboul") (Composer: [[Wikipedia:Sigmund Romberg|Sigmund Romberg]] (1887-1951))
    nd Romberg|Sigmund Romberg]] (1887-1951)) )