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1
10-78-VOCALM-A-00001A +https://en.wikipedia.org/wiki/Alto_Rhapsody  +
A
Africavox-dg1-ax98 +Chant de femme [[Africavox DG 1|Africavox DG 1]]  +
Africavox-dg1-ax99 +Musique de fête - Chant et tambours [[Africavox DG 1|Africavox DG 1]]  +
Africavox-gt10-ax68 +Chant de griot par Kofi Kofi - s'accompagnant au koté [[Africavox GT 10|Africavox GT 10]]  +
Africavox-gt10-ax69 +Chant de moquerie - accompagnés au diourou (harpe fourchue) [[Africavox GT 10|Africavox GT 10]]  +
America-6087-am6078b-2 +Album: The Genius of Lee Morgan [[America 6087|America 6087]]  +
America-6087-am6087a-1 +Mogie was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records.  +
America-6087-am6087a-2 +Bess was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records.  +
America-6087-am6087a-3 +Terrible "T" was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records  +
America-6087-am6087b-1 +Original Album Expoobident recorded October 14, 1960 and released Mid August 1961 by Vee-Jay Records  +
Amiga 1015 + * Side A: Amiga-Meister-Orchester: Negerwiegenlied (Composer: George Howard Clutsam (1866-1951)) * Side B: Amiga-Tanz-Orchester with Erwin Hartung (1901-1986): Ich tanz mit Frl. Dolly Swing (Composer: Lothar Brühne (1900-1958) and Lyricist: Bruno Balz (1902-1988))   +
Amiga-a1015-1146 +- [[Amiga 1015|Amiga 1015]]  +
Amiga-b1015-1276 +- [[Amiga 1015|Amiga 1015]]  +
Anker 01210 + * Side A: Tubaphon-Solo von Albert Müller (?), Berlin mit Orchesterbegleitung: Das träumende Schneeglöckchen (Polka) (Composer: Louis Oertel (1866-1924)) * Side B: Tubaphon-Solo von Albert Müller (?), Berlin mit Orchesterbegleitung: Boulanger-Marsch (Marche du boulanger) (Composer: Louis César Desormes (1840-1898))   +
Anker 265 + * Side A: [[Wikipedia:4th (Queen Augusta) Guards Grenadiers|Königin-Augusta-Garde-Grenadier-Regiment]]: Aufzug der Zünfte und Tanz der Lehrbuben (Die Meistersinger von Nürnberg (opera)) (Composer: [[Wikipedia:Richard Wagner|Richard Wagner]] (1813-1883)) * Side B: Königin-Augusta-Garde-Grenadier-Regiment: Steuermann-Lied und Matrosenchor (Der fliegende Holländer (opera)) (Composer: Richard Wagner (1813-1883))   +
Anker E 9453 + * Side A: [[Wikipedia:Mezzo-soprano|Mezzo-soprano]]: [[Wikipedia:Julia Culp|Julia Culp]] (1880-1970); Piano: Otto Bake (unknown birth/death): Auf Flügeln des Gesanges (On Wings of Song) (Composer: Felix Mendelssohn (1809-1847)) * Side B: Mezzo-soprano: Julia Culp (1880-1970): Ave Maria (Composer: Franz Schubert (1797-1828))   +
Anker E 9515 + * Side A: Rudi Rode (?) mit Ensemble: Das Leben der deutschen Frau am Stammtisch (Lustige Szene mit Liedern in den verschiedenen deutschen Mundarten) (Arrangeur: Rudi Rode (?)) * Side B: Clara Berger (?): Die Frauenrechtlerin (Humoristische Vereinssitzung) (Arrangeur: Rudi Rode (?))   +
Anker-01210-3067 +Tubaphon solo with orchestral accompaniment [[Anker 01210]]  +
Anker-01210-3068 +Tubaphon solo with orchestral accompaniment [[Anker 01210]]  +
Anker-265-03600 +Die Meistersinger von Nürnberg (opera) [[Anker 265]]  +
Anker-265-03603 +The Flying Dutchman (opera) [[Anker 265]]  +
Anker-5387-10815 +March [[Anker 5387]]  +
Anker-5387-10819 +Military march [[Anker 5387]]  +
Anker-9911-06965 +Tárogató-Virtuose mit Orchesterbegleitung (Tárogató virtuoso with orchestral accompaniment) [[Anker 9911]]  +
Anker-9911-06968 +Tárogató-Virtuose mit Orchesterbegleitung (Tárogató virtuoso with orchestral accompaniment) [[Anker 9911]]  +
Audio-vox sprachinstitut-3236 +https://en.wikipedia.org/wiki/de:Das_Gastmahl_des_Belsazar  +
Audio-vox sprachinstitut-3237 +https://en.wikipedia.org/wiki/Der_Messias_(Klopstock)  +
Audio-vox-sprachinstitut-03234 +https://en.wikipedia.org/wiki/Sigurd  +, Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929  +
Audio-vox-sprachinstitut-03235 +https://en.wikipedia.org/wiki/Nibelungenlied  +, Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929  +
Audio-vox-sprachinstitut-03268 +Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929  +
Audio-vox-sprachinstitut-3225 +https://en.wikipedia.org/wiki/Hermann_and_Dorothea  +
Audio-vox-sprachinstitut-3236 +https://en.wikipedia.org/wiki/Belshazzar  +
Audio-vox-sprachinstitut-3237 +https://en.wikipedia.org/wiki/Der_Messias_(Klopstock)  +
Austroton-55108-h166 +https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000103A  +
Austroton-55108-h167 +https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000103B  +
Austroton-55156-h272 +https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000102A  +
Austroton-55156-h273 +https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000102B  +
B
Bam-16-1015 +II. Petite fille americaine, Rag Time du Paquebot [[BAM 16|BAM 16]]  +
Bam-17-1016 +III. Acrobates Suite a prélude du Rideau Rouge [[BAM 17|BAM 17]]  +
Beka B 3024 + * Side A: Beka-Orchester: Ouvertüre "Mignon" I. (Composer: Ambroise Thomas (1811-1896)) * Side B: Beka-Orchester: Ouvertüre "Mignon" II. (Composer: Ambroise Thomas (1811-1896))   +
Beka-3615-31034 +none [[Beka 3615]], [http://discography.phonomuseum.at/parlo/parlo030173.pdf GHT Labelographies]  +
Beka-3615-31291 +none [[Beka 3615]], [http://discography.phonomuseum.at/parlo/parlo030173.pdf GHT Labelographies]  +
Beka-b3024-40766 +none [[Beka B 3024]]  +
Beka-b3024-40767 +none [[Beka B 3024]]  +
Bluebird-b10253a +Jazz/dance band [[Bluebird B-10253-A/B]]  +
Bluebird-b10253b +Jazz/dance band [[Bluebird B-10253-A/B]]  +
Bluebird-b10429a +Jazz/dance band [[Bluebird B-10429-A/B]]; RCM, Numark TTX, Stanton 500.V3, Rek-O-Kut D5130EJ  +
Bluebird-b10429b +Jazz/dance band [[Bluebird B-10429-A/B]]; RCM, Numark TTX, Stanton 500.V3, Rek-O-Kut D5130EJ  +
Bluebird-b7725a +Jazz/dance band [[Bluebird B-7725-A/B]]  +
Bluebird-b7725b +Jazz/dance band [[Bluebird B-7725-A/B]]  +
Bosworth-bc1129-cp927 +Part 1 [[Bosworth BC 1129|Bosworth BC 1129]]  +
Bosworth-bc1129-cp928 +Part 2 [[Bosworth BC 1129|Bosworth BC 1129]]  +
Brunswick 05317 + :Side A: [[:en:Bill Haley & His Comets|Bill Haley & His Comets]]: Rock Around the Clock (Composers: [[:en:Max C. Freedman|Max C. Freedman]] (1893-1962) and [[:en:James E. Myers|James E. Myers]] (1919-2001)) :Side B: Bill Haley & His Comets: Thirteen Women (And Only One Man in Town) (Composer: [[:en:Richard (Dickie) Thompson|Richard (Dickie) Thompson]] (?))   +
Brunswick 13012 + :Side A: Elias Breeskin (1896-1969), Pianoforte by Rudolph Gruen (1900-1966): Cavatina (Composer: [[Wikipedia:Joachim Raff|Joachim Raff]] (1822-1882)) :Side B: Elias Breeskin (1896-1969), Pianoforte by Rudolph Gruen (1900-1966): Caprice "Yankee Doodle" (Composer: [[Wikipedia:Henri Vieuxtemps|Henri Vieuxtemps]] (1820-1881))   +
Brunswick A 62577 + :Side A: [[:en:Mario Chamlee|Mario Chamlee]] (1892-1966): Serenade ([[:en:Riccardo Drigo|Riccardo Drigo]] (1846-1930)) :Side B: [[:en:Mario Chamlee|Mario Chamlee]] (1892-1966): The Old Refrain ([[:en:Alice Mattulath|Alice Mattulath]] (?) and [[:en:Fritz Kreisler|Fritz Kreisler]] (1875-1962)); Violin Obbligato: [[:en:Fredric Fredkin|Fredric Fredkin]] (?)   +
Brunswick-13012a-3654 +Cavatina for violin and piano (Orchestral pieces, Op. 85) (1859) [[Brunswick 13012]]  +
Brunswick-13012b-3651 +Variation (Violin and piano) [[Brunswick 13012]]  +
Brunswick-15061-11666 +none [[Brunswick 15061|Brunswick 15061]]  +
Brunswick-15061-11668 +none [[Brunswick 15061B|Brunswick 15061B]]  +
Brunswick-a62577-e2013 +none none  +
Busy-Bee D47 + :Side A: Unknown artist: Boston Commandery March (1892) (Composer: [[:en:Thomas Morrill Carter|Thomas Morrill Carter]] (1841-1934)) :Side B: Unknown artist: Second Regiment Connecticut National Guard March (1888) (Composer: [[Wikipedia:David Wallis Reeves|David Wallis Reeves]] (1838-1900))   +
Busy-bee-d47-3259 +none [[Busy Bee D47]]  +
Busy-bee-d47-87 +none [[Busy Bee D47]]  +
C
Cbs-s70007-108245a +Part 1 [[CBS S 70 007|CBS S 70 007]]  +
Cbs-s70007-108245b +Part 2 [[CBS S 70 007|CBS S 70 007]]  +
Le Chant du Monde 620 + * Side A: [[Wikipedia:Alexandrov Ensemble|Ensemble de Chant de l'Armée Rouge de l'USSR]]: Les Partisans (Partisan's Song) (Composer: [[Wikipedia:Alexander Vasilyevich Alexandrov|Alexander Vasilyevich Alexandrov]] (1883-1946) and Lyricist: [[Wikipedia:Sergei Jakowlewitsch Alymow|Sergei Jakowlewitsch Alymow]] (1892-1948)) * Side B: [[Wikipedia:Alexandrov Ensemble|Ensemble de Chant de l'Armée Rouge de l'USSR]], Cornet solo: K. Lemechko: [[Wikipedia:Polyushko-polye|Plaine, ma plaine]] (Composer: [[Wikipedia:Lev Knipper|Léon Knipper]] (1898-1974) and Lyricist: [[Wikipedia:Viktor Gusev|Viktor Gusev]] (1909-1944))   +
Le Chant du Monde S 29164 + * Side A: Franz Gastl ([[Wikipedia:Zither|Zither]]) und sein Orchester: Ball an Bord (Walzer) (Composer: [[:en:Franz Gastl|Franz Gastl]] (?)) * Side B: Franz Gastl ([[Wikipedia:Zither|Zither]]) und sein Orchester: Heut' hab' ich ein Rendez-vous (Walzer) (Composer: [[:en:Franz Gastl|Franz Gastl]] (?))   +
Cimaphon-518-117 +https://en.wikipedia.org/wiki/The_Blue_Danube  +
Cimaphon-518-118 +https://en.wikipedia.org/wiki/Du_und_du  +
Columbia 872 + * Baritone solo (unknown artist): [[Wikipedia:Won't You Come Home Bill Bailey|Bill Bailey, Won't You Please Come Home?]] (1902) (Composer: [[Wikipedia:Hughie Cannon|Hughie Cannon]] (1877-1912))   +
Columbia A 1685 + * Side A: [[Wikipedia:Margaret Woodrow Wilson|Margaret Woodrow Wilson]] (1886-1944): [[Wikipedia:The Star-Spangled Banner|The Star-Spangled Banner]] (Composer: [[Wikipedia:John Stafford Smith|John Stafford Smith]] (1750-1836) and Lyricist: [[Wikipedia:Francis Scott Key|Francis Scott Key]] (1779-1843)) * Side B: The Columbia Band: Medley of Patriotic Airs ("America (America the Beautiful)" (Composer: [[Wikipedia:Samuel A. Ward|Samuel Augustus Ward]] (1847-1903) and Lyricist: [[Wikipedia:Katharine Lee Bates|Katharine Lee Bates]] (1859-1929)), "[[Wikipedia:Yankee Doodle|Yankee Doodle]]" (Composer: unknown; Lyricist: Richard Shuckburgh (18th century)), "[[Wikipedia:Columbia, the Gem of the Ocean|Columbia, the Gem of the Ocean]]" (published by David T. Shaw, originally composed by Thomas á Becket (1808-1890)), "[[Wikipedia:Marching Through Georgia|Marching Through Georgia]]" (Composer and Lyricist: [[Wikipedia:Henry Clay Work|Henry Clay Work]] (1832-1884)) and "[[Wikipedia:Dixie (song)|Dixie]]" (Composer and Lyricist: [[Wikipedia:Dan Emmett|Dan Emmett]] (1815-1904)))   +
Columbia D 14530 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.01: E soffitto e pareti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.02: E son molti i parenti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14531 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.03: Ed è bella la sposa? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.04: Eco son giunte ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14532 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.05: Nessuno sì confessa (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.06: Vieni amor mio (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14533 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.07: Tutti zitti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.08: Cio-Cio-San! Cio-Cio-San! (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14534 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.09: Viene la sera (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.10: Stolta paura ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14535 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.11: Io t'ho ghermita (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.12: E Izaghi ed Izanami (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14536 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.13: Perchè con tante cure (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.14: Un bel dì vedremo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14537 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.15: C'è, entrate (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.16: Jamadori ancor le pene ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14538 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.17: Ora a noi, sedete qui (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.18: E questo? E questo? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14539 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.19: Io scendo al piano (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.20: Una nave da guerra (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14540 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.21: Spoglio è l'orto (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.22: Nello shosi or farem ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14541 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.23: Intermezzo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.24: Oh eh! Oh eh! (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14542 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.25: Chi sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.26: Si, tutto in un istante (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 14543 + * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.27: Tu Suzuky ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.28: Il bimbo ove sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906)))   +
Columbia D 16382 + * Side A: Soprano: Maria Barrientos (1883-1946); Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Dunque io son ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868))) * Side B: Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Largo al factotum ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868)))   +
Columbia DX 1283-1301 +Part 1-38 (Part 1: ?; Part 2: ?; Part 3: ?) '''78 rpm discs:''' [[Columbia DX 1283|DX 1283]] · [[Columbia DX 1284|DX 1284]] · [[Columbia DX 1285|DX 1285]] · [[Columbia DX 1286|DX 1286]] · [[Columbia DX 1287|DX 1287]] · [[Columbia DX 1288|DX 1288]] · [[Columbia DX 1289|DX 1289]]<br>[[Columbia DX 1290|DX 1290]] · [[Columbia DX 1291|DX 1291]] · [[Columbia DX 1292|DX 1292]] · [[Columbia DX 1293|DX 1293]] · [[Columbia DX 1294|DX 1294]] · [[Columbia DX 1295|DX 1295]] · [[Columbia DX 1296|DX 1296]] · [[Columbia DX 1297|DX 1297]]<br>[[Columbia DX 1298|DX 1298]] · [[Columbia DX 1299|DX 1299]] · [[Columbia DX 1300|DX 1300]] · [[Columbia DX 1301|DX 1301]]<br> '''Audio file licenses:''' [[Columbia-dx1283-cax9602|01]] · [[Columbia-dx1283-cax9572|02]] · [[Columbia-dx1284-cax9573|03]] · [[Columbia-dx1284-cax9575|04]] · [[Columbia-dx1285-cax9593|05]] · [[Columbia-dx1285-cax9594|06]] · [[Columbia-dx1286-cax9591|07]] · [[Columbia-dx1286-cax9578|08]] · [[Columbia-dx1287-cax9582|09]] · [[Columbia-dx1287-cax9595|10]] · [[Columbia-dx1288-cax9596|11]] · [[Columbia-dx1288-cax9576|12]] · [[Columbia-dx1289-cax9603|13]] · [[Columbia-dx1289-cax9608|14]] · [[Columbia-dx1290-cax9604|15]]<br>[[Columbia-dx1290-cax9579|16]] · [[Columbia-dx1291-cax9605|17]] · [[Columbia-dx1291-cax9592|18]] · [[Columbia-dx1292-cax9583|19]] · [[Columbia-dx1292-cax9586|20]] · [[Columbia-dx1293-cax9584|21]] · [[Columbia-dx1293-cax9587|22]] · [[Columbia-dx1294-cax9588|23]] · [[Columbia-dx1294-cax9577|24]] · [[Columbia-dx1295-cax9574|25]] · [[Columbia-dx1295-cax9580|26]] · [[Columbia-dx1296-cax9585|27]] · [[Columbia-dx1296-cax9609|28]] · [[Columbia-dx1297-cax9598|29]] · [[Columbia-dx1297-cax9590|30]] · [[Columbia-dx1298-cax9581|31]] · [[Columbia-dx1298-cax9599|32]] · [[Columbia-dx1299-cax9606|33]] · [[Columbia-dx1299-cax9607|34]] · [[Columbia-dx1300-cax9589|35]]<br>[[Columbia-dx1300-cax9597|36]] · [[Columbia-dx1301-cax9600|37]] · [[Columbia-dx1301-cax9601|38]]  +
Columbia DX 1285 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.05: Recit: Thus Saith the Lord; Air: But who may abide (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: Norman Walker (1907-1963): No.06: Air: But who may abide (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1286 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.07: Chorus: And He Shall Purify (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.08: Recit: Behold a virgin shall conceive; Air: O thou that tellest (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1287 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.09: Aria: O thou that tellest (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.10: Recit: For behold, darkness shall cover the earth (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1288 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.11: Air: The people that walked in the darkness (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.12: Chorus: For Unto us a Child is Born (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1289 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.13: Chorus: Pastoral Symphony (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.14: Recit: (a) There were shepherds; (b) And Io, the Angel of the Lord; (c) And suddenly; Chorus: Glory to God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1290 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.15: Air: Rejoice greatly O daughter of Zion (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.16: Recit: Then shall the eyes of the blind; Air: He shall feed his flock (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1291 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.17: Air: He shall feed his flock (Part Two) (Come unto Him) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.18: Chorus: His Yoke is Easy (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1292 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.19: Chorus: Behold the Lamb of God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.20: Air: He was despised (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1293 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.21: Chorus: Surely he hath borne our griefs (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.22: Chorus: And with His Stripes (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1296 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.27: Chorus: Lift up your heads (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.28: Chorus: The Lord gave the word; Air: How Beautiful are the Feet (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1297 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1299 + * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.33: Air: I Know that my Redeemer Liveth (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.34: Air: I Know that my Redeemer Liveth (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1300 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.36: Recit: Behold, I tell you a mystery; Air: The Trumpet shall sound (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1301 + * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.37: Chorus: Worthy is the Lamb (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.38: Chorus: Amen (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773)))   +
Columbia DX 1363 + * Side A: [[:en:André Kostelanetz|André Kostelanetz]] (1901-1980) and his orchestra: Oklahoma Selection (Part 1) (Composer: [[:en:Richard Charles Rodgers|Richard Charles Rodgers]] (1902-1979) and Lyricist: [[:en:Oscar Hammerstein II|Oscar Hammerstein II]] (1895-1960)) * Side B: André Kostelanetz (1901-1980) and his orchestra: Oklahoma Selection (Part 1) (Composer: Richard Charles Rodgers (1902-1979) and Lyricist: Oscar Hammerstein II (1895-1960))   +
Columbia DX 1536 + * Side A: London Brass Players; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980): A Trumpet Voluntary (Composer: Henry Purcell (1659-1695); in fact the work of Jeremiah Clarke (1674-1707)) * Side B: Philharmonia Orchestra; Trumpet: Harry Mortimer (1902-1992); Organ: Reginald Foort (1893-1980): Trumpet Concerto in E Flat (Composer: Joseph Haydn (1732-1809))   +
Columbia DZ 266 + * Side A: Charles Trenet (1913-2001) acc. par Wal Berg (Valdimir Rosenberg) (1910-1994) et son Orchestre: Biguine a Bango (Paroles et Musique de [[:en:Charles Trenet|Charles Trenet]] (1913-2001)) * Side B: Charles Trenet (1913-2001); au piano: Charles Levannes (?): Annie (Anna) (Chanson) (Paroles et Musique de [[:en:Charles Trenet|Charles Trenet]] (1913-2001))   +
Columbia DZ 505 + * Side A: [[Wikipedia:Sy Oliver|Sy Oliver]] (1910-1988) leading the [[Wikipedia:Metronome All-Stars|Metronome All-Stars]] ([[Wikipedia:Charlie Shavers|Charlie Shavers]] (1920-1971), trumpet; [[Wikipedia:Lawrence Brown (musician)|Lawrence Brown]] (1907-1988), trombone; [[Wikipedia:Johnny Hodges|Johnny Hodges]] (1906-1970), alto; [[Wikipedia:Coleman Hawkins|Coleman Hawkins]] (1904-1969), tenor; [[Wikipedia:Harry Carney|Harry Carney]] (1910-1974), baryton; [[Wikipedia:Nat King Cole|Nat King Cole]] (1919-1965), piano; Bob Ahern (unknown birth/death), guitar; [[Wikipedia:Eddie Safranski|Eddie Safranski]] (1918-1974), bass; [[Wikipedia:Buddy Rich|Buddy Rich]] (1917-1987), drums; Vocal by [[Wikipedia:Frank Sinatra|Frank Sinatra]] (1915-1998)): [[Wikipedia:Sweet Lorraine|Sweet Lorraine]] (1928) (Composer: [[Wikipedia:Cliff Burwell|Cliff Burwell]] (1898-1977) and Lyricist: [[Wikipedia:Mitchell Parish|Mitchell Parish]] (1900-1993); Music arranger: Sy Oliver (1910-1988) * Side B: Sy Oliver (1910-1988) leading the Metronome All-Stars (Charlie Shavers (1920-1971), trumpet; Lawrence Brown (1907-1988), trombone; Johnny Hodges (1906-1970), alto; Coleman Hawkins (1904-1969), tenor; Harry Carney (1910-1974), baryton; Nat King Cole (1919-1965), piano; Bob Ahern (unknown birth/death), guitar; Eddie Safranski (1918-1974), bass; Buddy Rich (1917-1987), drums; Vocal by King Cole (1919-1965) and [[Wikipedia:June Christy|June Christy]] (1925-1990)): Nat Meet June (Composer: Randy Mergentroid (unknown birth/death))   +
Columbia FC 25059 + * Side A: Soprano: [[:en:Maria Callas|Maria Meneghini Callas]] (1923-1977); The Philharmonia Orchestra; Conductor: Tullio Serafin (1878-1968): 1. Madame Butterfly: a) Acte II: Un bel di, vedremo; b) Acte II: Con onor muore (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))); 2. La Bohème: c) Acte I: Mi chiamano Mimi; b) Acte III: Dondo lieta usci (La Bohème (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Soprano: Maria Meneghini Callas (1923-1977); The Philharmonia Orchestra; Conductor: Tullio Serafin (1878-1968): 1. Le Barbier de Séville: a) Acte I: Cavatine: Una voce poco fa (The Barber of Seville (Composer: Gioachino Rossini (1792-1868); Lyricist: Cesare Sterbini (1784-1831))); 2. Lakmé: b) Acte II: Dov'è l'Indiana bruna? (Lakmé (Composer: Léo Delibes (1836-1891); Lyricists: Edmond Gondinet (1828-1888) and Philippe Gille (1831-1901)))   +
Columbia L 1771 + * Side A: [[:en:Royal Concertgebouw Orchestra|Koninklijk Concertgebouworkest]]; Conductor: [[:en:Willem Mengelberg|Willem Mengelberg]] (1871-1951): Tannhäuser Overture, part 3 (Composer: [[:en:Richard Wagner|Richard Wagner]] (1813-1883)) * Side B: Koninklijk Concertgebouworkest; Conductor: Willem Mengelberg (1871-1951): Tannhäuser Overture, part 4 (Composer: Richard Wagner (1813-1883))   +
Columbia LB 109 + * Side A: Pianoforte Solo by [[Wikipedia:Dinu Lipatti|Dinu Lipatti]] (1917-1950): [[Wikipedia:Siciliana|Siciliana]] (from Sonata No.2 in E flat major for Flute and Cembalo) (Composer: [[Wikipedia:Johann Sebastian Bach|Johann Sebastian Bach]] (1685-1750) and Music arranger: [[Wikipedia:Wilhelm Kempff|Wilhelm Kempff]] (1895-1991)) * Side B: Pianoforte Solo by Dinu Lipatti (1917-1950): [[Wikipedia:Jesu, Joy of Man's Desiring|Jesu, Joy of Man's Desiring]] (from Church Cantata No. 147) (Composer: Johann Sebastian Bach (1685-1750 and Music arranger: [[Wikipedia:Myra Hess|Myra Hess]] (1890–1965))   +
Columbia LX 1039 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.1: 1st Movement (1st part) - Allegro (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.2: 1st Movement (Conclusion) - Allegro (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia LX 1040 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia LX 1041 + * Side A: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.5: 3rd Movement: Minuetto and Trio - Moderato grazioso (Composer: Ludwig van Beethoven (1770-1827)) * Side B: Pianoforte solo: Claudio Arrau (1903-1991): Sonata No.18 in E-flat major Opus 31 No.3; No.6: 4th Movement - Presto con fuoco (Composer: Ludwig van Beethoven (1770-1827))   +
Columbia ZZ 1171 + * Side A: Trio Verbanella e l'Orchestra Cédric Dumont (1916-2007): La barca dei sogni (1942) ([[Wikipedia:de:Slowfox|Fox lento]]) (Composer: [[:en:Cosimo Di Ceglie|Cosimo Di Ceglie]] (1913-1980) and Lyricist: [[:en:Gian Carlo Testoni|Gian Carlo Testoni]] (1912-1965)) * Side B: Trio Verbanella e l'Orchestra Cédric Dumont (1916-2007): Fior di rose (Tango) (Composer: [[:en:Carlo Goldoni|Carlo Goldini]] (1707-1793))   +
Columbia ZZ 1300 + * Side A: Gesangsduo: Kessler und Päuli Fuchs; Eddie Brunner (1912-1960) und sein Orchester: Gruss ans alte Wien (Walzerlied) (Composer: [[:en:Jakob Kessler|Jakob Kessler]] (?)) * Side B: Gesangsduo: Kessler und Israng; Eddie Brunner (1912-1960) und sein Orchester: Die Försterliesel (Walzerlied) (Composer: [[:en:Jakob Kessler|Jakob Kessler]] (?))   +
Columbia-11805-fx214 +https://en.wikipedia.org/wiki/Serse  +, dito with [[Columbia-d17211-fx214| Columbia D 17211 (FX 214)]] (pressed in the Netherlands) soprano with organ and violin accompaniment  +
Columbia-11805-fx215 +([[Wikipedia:Prelude and Fugue in C major, BWV 846|Méditation sur le Premier Prélude de Piano de S. Bach]]) ([[IMSLP:Prelude and Fugue in C major, BWV 846 (Bach, Johann Sebastian)|Prelude and Fugue in C major, BWV 846]]) [[Columbia 11805|Columbia 11805]]  +
Columbia-12527-lx89 +Aubade [[Columbia 12527|Columbia 12527]]  +
Columbia-12527-lx90 +Romance de Nadir [[Columbia 12527|Columbia 12527]]  +
Columbia-7340-49558 +La Vergine degli angeli (May Angels guard thee) [[Columbia 7340|Columbia 7340]]  +
Columbia-7340-49571 +Un bel di vedremo (One fine day) [[Columbia 7340|Columbia 7340]]  +
Columbia-9283-ax3095 +- [[Columbia 9283|Columbia 9283]]  +
Columbia-9283-ax3096 +- [[Columbia 9283|Columbia 9283]]  +
Columbia-9534-lx197 +No. 16: Final: Holà Carmen! Holà! Holà! (Zuniga) [[Columbia 9534|Columbia 9534]]  +
Columbia-a3996-81214 +Dance music, Fox trot [[Columbia A 3996]]  +
Columbia-a3996-81215 +Dance music, Fox trot [[Columbia A 3996]]  +
Columbia-d14530-bx533 +No.02: E son molti i parenti [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14530-bx549 +No.01: E soffitto e pareti [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14531-bx536 +No.03: Ed è bella la sposa? [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14531-bx538 +No.04: Eco son giunte ... [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14532-bx539 +No.05: Nessuno sì confessa [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14532-bx551 +No.06: Vieni amor mio [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14533-bx541 +No.07: Tutti zitti [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14533-bx554 +No.08: Cio-Cio-San! Cio-Cio-San! [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14534-bx550 +No.09: Viene la sera [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14534-bx552 +No.10: Stolta paura ... [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14535-bx547 +No.12: E Izaghi ed Izanami [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14535-bx573 +No.11: Io t'ho ghermita [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14536-bx548 +No.13: Perchè con tante cure [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14536-bx563 +No.14: Un bel dì vedremo [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14537-bx534 +No.15: C'è, entrate [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14537-bx542 +No.16: Jamadori ancor le pene ... [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14538-bx535 +No.17: Ora a noi, sedete qui [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14538-bx543 +No.18: E questo? E questo? [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14539-bx546 +No.19: Io scendo al piano [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14539-bx560 +No.20: Una nave da guerra [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14540-bx553 +No.22: Nello shosi or farem ... [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14540-bx561 +No.21: Spoglio è l'orto [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14541-bx555 +No.24: Oh eh! Oh eh! [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14541-bx565 +No.23: Intermezzo [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14542-bx540 +No.25: Chi sia? [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14542-bx544 +No.26: Si, tutto in un istante [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14543-bx545 +No.27: Tu Suzuky ... [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14543-bx559 +No.28: Il bimbo ove sia? [[Columbia D 14530-14543|Columbia D 14530-14543]]  +
Columbia-d14564-bx204 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14564-bx205 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14565-bx605 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14565|78 rpm album]]  +
Columbia-d14565-bx606 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14566-bx615 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14566-bx626 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14567-bx613 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14567-bx636 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14568-bx607 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14568-bx608 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14569-bx610 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14569-bx614 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14570-bx611 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14570-bx625 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14571-bx628 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14571-bx629 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rmp album]]  +
Columbia-d14572-bx620 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14572-bx631 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14573-bx621 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14573-bx633 +https://en.wikipedia.org/wiki/Il_barbiere_di_Siviglia  +
Columbia-d14574-bx632 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14574-bx634 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Category:Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14575-bx617 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14575-bx630 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14576-bx622 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14576-bx635 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14577-bx623 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14577-bx624 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14578-bx612 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14578-bx616 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14579-bx627 +https://en.wikipedia.org/wiki/The_Barber_of_Seville  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-d14579-bx637 +https://en.wikipedia.org/wiki/The_Marriage_of_Figaro  +, [[Columbia D 14564-14579|78 rpm album]]  +
Columbia-db3694-ca23413 +https://en.wikipedia.org/wiki/Lady_and_the_Tramp  +
Columbia-dcx39-cax6012 +Part 1: First Movement - Allegro (First Part) [[Columbia DCX 39|Columbia DCX 39]]  +
Columbia-dcx39-cax6013 +Part 2: First Movement - Allegro (Concl.); Second Movement - Adagio First Part [[Columbia DCX 39|Columbia DCX 39]]  +
Columbia-dcx40-cax6014 +Part 3: Second Movement - Adagio (Concl.) [[Columbia DCX 40|Columbia DCX 40]]  +
Columbia-dcx40-cax6015 +Part 4: 3rd Movement - Allegretto [[Columbia DCX 40|Columbia DCX 40]]  +
Columbia-dcx57-cax7010 +First Movement - Adagio - Allegro Vivace (First Part) [[Columbia DCX 57|Columbia DCX 57]]  +
Columbia-dcx57-cax7011 +First Movement - Allegro Vivace (Conclusion) [[Columbia DCX 57|Columbia DCX 57]]  +
Columbia-dcx58-cax7012 +2nd Mov.: Adagio (First Part) [[Columbia DCX 58|Columbia DCX 58]]  +
Columbia-dcx58-cax7013 +2nd Mov.: Adagio (Concl.) [[Columbia DCX 58|Columbia DCX 58]]  +
Columbia-dcx59-cax7014 +3rd. Mov.: Menuetto and Trio Allegro Vivace [[Columbia DCX 59|Columbia DCX 59]]  +
Columbia-dcx59-cax7015 +4th Mov.: Allegro non troppo (First Part) [[Columbia DCX 59|Columbia DCX 59]]  +
Columbia-dcx60-cax7016 +4th Mov.: Allegro ma non troppo (Concl.) [[Columbia DCX 60|Columbia DCX 60]]  +
Columbia-dcx60-gax7017 +Overture [[Columbia DCX 60|Columbia DCX 60]]  +
Columbia-dcx68-205677 +[[Wikipedia:Silent Night|Stille Nacht, Heillige Nacht]] [[Columbia DCX 68|Columbia DCX 68]]  +
Columbia-dcx75-xco33120 +none [[Columbia DCX 75 |Columbia DCX 75]]  +
Columbia-dcx75-xco33463 +none [[Columbia DCX 75|Columbia DCX 75]]  +
Columbia-dx1029-cax8896 +Dance of the hours - part 1 [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-dx1029-cax8897 +Dance of the hours - part 2 [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-dx1283-cax9572 +No.02: Recit: Comfort ye, My people [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1283-cax9602 +No.01: Overture [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1284-cax9573 +No.03: Air: Ev'ry valley shall be exalted [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1284-cax9575 +No.04: Chorus: And the Glory of the Lord [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1285-cax9593 +No.05: Recit: Thus Saith the Lord; Air: But who may abide (First Part) [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1285-cax9594 +No.06: Air: But who may abide (Conclusion) [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1286-cax9578 +No.08: Recit: Behold a virgin shall conceive; Air: O thou that tellest (First Part) [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1286-cax9591 +No.07: Chorus: And He Shall Purify [[Columbia DX 1283-1301|Columbia DX 1283-1301]], [http://www.charm.rhul.ac.uk CHARM]  +
Columbia-dx1363-xco33800 +Intro: Introduction: People will say we're in love; Out of my Dreams; Surrey with the fringe on top; Oklahoma [[Columbia DX 1363|Columbia DX 1363]]; [http://www.charm.kcl.ac.uk/index.html CHARM]  +
Columbia-dx1363-xco33801 +Intro: Oh, what a beautiful Mornin'; Oklahoma [[Columbia DX 1363|Columbia DX 1363]]; [http://www.charm.kcl.ac.uk/index.html CHARM]  +
Columbia-dx1536-cax10357 +none [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-dx1536-cax9565 +none [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-l1435-74394 +Part 2: The Calm [[Columbia L 1435-1436|Columbia L 1435-6]], Record with crack (have to be replaced)  +
Columbia-l1460-75220 +2nd Movement: Andante con moto [[Columbia L 1460|Columbia L 1460]]  +
Columbia-l1460-75222 +4th Movement: Molto allegro [[Columbia L 1460|Columbia L 1460]]  +
Columbia-l1771-ax1540 +Tannhäuser overture (Part 3) [[Columbia L 1771|Columbia L 1771]]; [http://www.charm.kcl.ac.uk/index.html CHARM]  +
Columbia-l1771-ax1541 +Tannhäuser overture (Part 4) [[Columbia L 1771|Columbia L 1771]]; [http://www.charm.kcl.ac.uk/index.html CHARM]  +
Columbia-l1799-ax1544 +Overture - Part 1 [[Columbia L 1799|Columbia L 1799]]  +
Columbia-l1799-ax1545 +Overture- Part 2 [[Columbia L 1799|Columbia L 1799]]  +
Columbia-l1843-ax2045 +Part 3: Adagio (First Part) [[Columbia L 1843 |Columbia L 1843]]  +
Columbia-l1843-ax2046 +Part 4: Adagio (Concluded) [[Columbia L 1843 |Columbia L 1843]]  +
Columbia-l1856-ax2104 +Part 1 - Allegro (First Part) [[Columbia L 1856|Columbia L 1856]]  +
Columbia-l1856-ax2105 +Part 2 - Allegro (Concluded) [[Columbia L 1856|Columbia L 1856]]  +
Columbia-l1858-ax2121 +Part 5: Molto Adagio (Conclusion) [[Columbia L 1858|Columbia L 1858]]  +
Columbia-l1858-ax2122 +Part 6: Allegretto (1st part) [[Columbia L 1858|Columbia L 1858]]  +
Columbia-l1986-ax2660 +[[Columbia L 1986|Columbia L 1986]]  +
Columbia-l1986-ax2661 +none [[Columbia L 1986|Columbia L 1986]]  +
Columbia-l2123-ax3551 +Entr'acte No. 1, in B minor (Allegro molto moderato) - Part 1 [[Columbia L 2123|Columbia L 2123]]  +
Columbia-l2123-ax3552 +Entr'acte No. 1, in B minor (Allegro molto moderato) (Part 2) [[Columbia L 2123 |Columbia L 2123]]  +
Columbia-l2124-ax3554 +Entr'acte No. 2 in D major (Andante) [[Columbia L 2124|Columbia L 2124]]  +
Columbia-l2124-ax3555 +Entr'acte No. 3 in B♭ major (Andantino) [[Columbia L 2124|Columbia L 2124]]  +
Columbia-l2125-ax3553 +Ballet No. 1: a) Allegro moderato, b) Andante un poco assai [[Columbia L 2125|Columbia L 2125]]  +
Columbia-l2125-ax3556 +Ballet No. 2 in G major (Andantino) [[Columbia L 2125|Columbia L 2125]]  +
Columbia-lb109-cz2187 +2nd Movement: Siciliana [[Columbia LB 109]]  +
Columbia-lb109-cz2188 +from Church Cantata No. 147 [[Columbia LB 109]]  +
Columbia-lx1039-cax9800 +No.1: 1st Movement (1st part) - Allegro [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1039-cax9801 +No.2: 1st Movement (Conclusion) - Allegro [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1040-cax9802 +No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1040-cax9803 +No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1041-cax9804 +No.5: 3rd Movement: Minuetto and Trio - Moderato grazioso [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1041-cax9809 +No.6: 4th Movement - Presto con fuoco [http://www.charm.rhul.ac.uk/discography/disco.html CHARM]  +
Columbia-lx1342-czx279 +Pianoforte Solo [[Columbia LX 1342|Columbia LX 1342]]  +
Columbia-lx1342-czx286 +Pianoforte Solo [[Columbia LX 1342|Columbia LX 1342]]  +
Columbia-lx505-cax7602 +1st Movement - Adagio - Vivace assai (1st Part) [[Columbia LX 505|Columbia LX 505]]  +
Columbia-lx505-cax7603 +1st Movement - Vivace assai (Conclusion) [[Columbia LX 505|Columbia LX 505]]  +
Columbia-lx648-crx57 +Part 3: Cadenza and 1st Movement: Allegro molto moderato (Conclusion) [[Columbia LX 648|Columbia LX 648]]  +
Columbia-lx648-crx58 +Part 4: 2nd Movement: Adagio (1st Part) [[Columbia LX 648|Columbia LX 648]]  +