U
1568
Property:Schema:description
From PUBLIC DOMAIN PROJECT MEDIAPOOL
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Pages using the property "Schema:description"
Showing 100 pages using this property.
1 | |
|---|---|
| 10-78-VOCALM-A-00001A + | https://en.wikipedia.org/wiki/Alto_Rhapsody + |
A | |
| Africavox-dg1-ax98 + | Chant de femme [[Africavox DG 1|Africavox DG 1]] + |
| Africavox-dg1-ax99 + | Musique de fête - Chant et tambours [[Africavox DG 1|Africavox DG 1]] + |
| Africavox-gt10-ax68 + | Chant de griot par Kofi Kofi - s'accompagnant au koté [[Africavox GT 10|Africavox GT 10]] + |
| Africavox-gt10-ax69 + | Chant de moquerie - accompagnés au diourou (harpe fourchue) [[Africavox GT 10|Africavox GT 10]] + |
| America-6087-am6078b-2 + | Album: The Genius of Lee Morgan [[America 6087|America 6087]] + |
| America-6087-am6087a-1 + | Mogie was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records. + |
| America-6087-am6087a-2 + | Bess was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records. + |
| America-6087-am6087a-3 + | Terrible "T" was first released on the Album Here's Lee Morgan recorded February 2,3 & 8, 1960 and released Mid September 1960 by Vee-Jay Records + |
| America-6087-am6087b-1 + | Original Album Expoobident recorded October 14, 1960 and released Mid August 1961 by Vee-Jay Records + |
| Amiga 1015 + | * Side A: Amiga-Meister-Orchester: Negerwiegenlied (Composer: George Howard Clutsam (1866-1951)) * Side B: Amiga-Tanz-Orchester with Erwin Hartung (1901-1986): Ich tanz mit Frl. Dolly Swing (Composer: Lothar Brühne (1900-1958) and Lyricist: Bruno Balz (1902-1988)) + |
| Amiga-a1015-1146 + | - [[Amiga 1015|Amiga 1015]] + |
| Amiga-b1015-1276 + | - [[Amiga 1015|Amiga 1015]] + |
| Anker 01210 + | * Side A: Tubaphon-Solo von Albert Müller (?), Berlin mit Orchesterbegleitung: Das träumende Schneeglöckchen (Polka) (Composer: Louis Oertel (1866-1924)) * Side B: Tubaphon-Solo von Albert Müller (?), Berlin mit Orchesterbegleitung: Boulanger-Marsch (Marche du boulanger) (Composer: Louis César Desormes (1840-1898)) + |
| Anker 265 + | * Side A: [[Wikipedia:4th (Queen Augusta) Guards Grenadiers|Königin-Augusta-Garde-Grenadier-Regiment]]: Aufzug der Zünfte und Tanz der Lehrbuben (Die Meistersinger von Nürnberg (opera)) (Composer: [[Wikipedia:Richard Wagner|Richard Wagner]] (1813-1883)) * Side B: Königin-Augusta-Garde-Grenadier-Regiment: Steuermann-Lied und Matrosenchor (Der fliegende Holländer (opera)) (Composer: Richard Wagner (1813-1883)) + |
| Anker E 9453 + | * Side A: [[Wikipedia:Mezzo-soprano|Mezzo-soprano]]: [[Wikipedia:Julia Culp|Julia Culp]] (1880-1970); Piano: Otto Bake (unknown birth/death): Auf Flügeln des Gesanges (On Wings of Song) (Composer: Felix Mendelssohn (1809-1847)) * Side B: Mezzo-soprano: Julia Culp (1880-1970): Ave Maria (Composer: Franz Schubert (1797-1828)) + |
| Anker E 9515 + | * Side A: Rudi Rode (?) mit Ensemble: Das Leben der deutschen Frau am Stammtisch (Lustige Szene mit Liedern in den verschiedenen deutschen Mundarten) (Arrangeur: Rudi Rode (?)) * Side B: Clara Berger (?): Die Frauenrechtlerin (Humoristische Vereinssitzung) (Arrangeur: Rudi Rode (?)) + |
| Anker-01210-3067 + | Tubaphon solo with orchestral accompaniment [[Anker 01210]] + |
| Anker-01210-3068 + | Tubaphon solo with orchestral accompaniment [[Anker 01210]] + |
| Anker-265-03600 + | Die Meistersinger von Nürnberg (opera) [[Anker 265]] + |
| Anker-265-03603 + | The Flying Dutchman (opera) [[Anker 265]] + |
| Anker-5387-10815 + | March [[Anker 5387]] + |
| Anker-5387-10819 + | Military march [[Anker 5387]] + |
| Anker-9911-06965 + | Tárogató-Virtuose mit Orchesterbegleitung (Tárogató virtuoso with orchestral accompaniment) [[Anker 9911]] + |
| Anker-9911-06968 + | Tárogató-Virtuose mit Orchesterbegleitung (Tárogató virtuoso with orchestral accompaniment) [[Anker 9911]] + |
| Audio-vox sprachinstitut-3236 + | https://en.wikipedia.org/wiki/de:Das_Gastmahl_des_Belsazar + |
| Audio-vox sprachinstitut-3237 + | https://en.wikipedia.org/wiki/Der_Messias_(Klopstock) + |
| Audio-vox-sprachinstitut-03234 + | https://en.wikipedia.org/wiki/Sigurd +, Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929 + |
| Audio-vox-sprachinstitut-03235 + | https://en.wikipedia.org/wiki/Nibelungenlied +, Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929 + |
| Audio-vox-sprachinstitut-03268 + | Vox-Schallplatten- und Sprechmaschinen-AG exists to 1929 + |
| Audio-vox-sprachinstitut-3225 + | https://en.wikipedia.org/wiki/Hermann_and_Dorothea + |
| Audio-vox-sprachinstitut-3236 + | https://en.wikipedia.org/wiki/Belshazzar + |
| Audio-vox-sprachinstitut-3237 + | https://en.wikipedia.org/wiki/Der_Messias_(Klopstock) + |
| Austroton-55108-h166 + | https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000103A + |
| Austroton-55108-h167 + | https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000103B + |
| Austroton-55156-h272 + | https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000102A + |
| Austroton-55156-h273 + | https://sfpd.cultlib.ch/de/track.html?sfpdid=18-000102B + |
B | |
| Bam-16-1015 + | II. Petite fille americaine, Rag Time du Paquebot [[BAM 16|BAM 16]] + |
| Bam-17-1016 + | III. Acrobates Suite a prélude du Rideau Rouge [[BAM 17|BAM 17]] + |
| Beka B 3024 + | * Side A: Beka-Orchester: Ouvertüre "Mignon" I. (Composer: Ambroise Thomas (1811-1896)) * Side B: Beka-Orchester: Ouvertüre "Mignon" II. (Composer: Ambroise Thomas (1811-1896)) + |
| Beka-3615-31034 + | none [[Beka 3615]], [http://discography.phonomuseum.at/parlo/parlo030173.pdf GHT Labelographies] + |
| Beka-3615-31291 + | none [[Beka 3615]], [http://discography.phonomuseum.at/parlo/parlo030173.pdf GHT Labelographies] + |
| Beka-b3024-40766 + | none [[Beka B 3024]] + |
| Beka-b3024-40767 + | none [[Beka B 3024]] + |
| Bluebird-b10253a + | Jazz/dance band [[Bluebird B-10253-A/B]] + |
| Bluebird-b10253b + | Jazz/dance band [[Bluebird B-10253-A/B]] + |
| Bluebird-b10429a + | Jazz/dance band [[Bluebird B-10429-A/B]]; RCM, Numark TTX, Stanton 500.V3, Rek-O-Kut D5130EJ + |
| Bluebird-b10429b + | Jazz/dance band [[Bluebird B-10429-A/B]]; RCM, Numark TTX, Stanton 500.V3, Rek-O-Kut D5130EJ + |
| Bluebird-b7725a + | Jazz/dance band [[Bluebird B-7725-A/B]] + |
| Bluebird-b7725b + | Jazz/dance band [[Bluebird B-7725-A/B]] + |
| Bosworth-bc1129-cp927 + | Part 1 [[Bosworth BC 1129|Bosworth BC 1129]] + |
| Bosworth-bc1129-cp928 + | Part 2 [[Bosworth BC 1129|Bosworth BC 1129]] + |
| Brunswick 05317 + | :Side A: [[:en:Bill Haley & His Comets|Bill Haley & His Comets]]: Rock Around the Clock (Composers: [[:en:Max C. Freedman|Max C. Freedman]] (1893-1962) and [[:en:James E. Myers|James E. Myers]] (1919-2001)) :Side B: Bill Haley & His Comets: Thirteen Women (And Only One Man in Town) (Composer: [[:en:Richard (Dickie) Thompson|Richard (Dickie) Thompson]] (?)) + |
| Brunswick 13012 + | :Side A: Elias Breeskin (1896-1969), Pianoforte by Rudolph Gruen (1900-1966): Cavatina (Composer: [[Wikipedia:Joachim Raff|Joachim Raff]] (1822-1882)) :Side B: Elias Breeskin (1896-1969), Pianoforte by Rudolph Gruen (1900-1966): Caprice "Yankee Doodle" (Composer: [[Wikipedia:Henri Vieuxtemps|Henri Vieuxtemps]] (1820-1881)) + |
| Brunswick A 62577 + | :Side A: [[:en:Mario Chamlee|Mario Chamlee]] (1892-1966): Serenade ([[:en:Riccardo Drigo|Riccardo Drigo]] (1846-1930)) :Side B: [[:en:Mario Chamlee|Mario Chamlee]] (1892-1966): The Old Refrain ([[:en:Alice Mattulath|Alice Mattulath]] (?) and [[:en:Fritz Kreisler|Fritz Kreisler]] (1875-1962)); Violin Obbligato: [[:en:Fredric Fredkin|Fredric Fredkin]] (?) + |
| Brunswick-13012a-3654 + | Cavatina for violin and piano (Orchestral pieces, Op. 85) (1859) [[Brunswick 13012]] + |
| Brunswick-13012b-3651 + | Variation (Violin and piano) [[Brunswick 13012]] + |
| Brunswick-15061-11666 + | none [[Brunswick 15061|Brunswick 15061]] + |
| Brunswick-15061-11668 + | none [[Brunswick 15061B|Brunswick 15061B]] + |
| Brunswick-a62577-e2013 + | none none + |
| Busy-Bee D47 + | :Side A: Unknown artist: Boston Commandery March (1892) (Composer: [[:en:Thomas Morrill Carter|Thomas Morrill Carter]] (1841-1934)) :Side B: Unknown artist: Second Regiment Connecticut National Guard March (1888) (Composer: [[Wikipedia:David Wallis Reeves|David Wallis Reeves]] (1838-1900)) + |
| Busy-bee-d47-3259 + | none [[Busy Bee D47]] + |
| Busy-bee-d47-87 + | none [[Busy Bee D47]] + |
C | |
| Cbs-s70007-108245a + | Part 1 [[CBS S 70 007|CBS S 70 007]] + |
| Cbs-s70007-108245b + | Part 2 [[CBS S 70 007|CBS S 70 007]] + |
| Le Chant du Monde 620 + | * Side A: [[Wikipedia:Alexandrov Ensemble|Ensemble de Chant de l'Armée Rouge de l'USSR]]: Les Partisans (Partisan's Song) (Composer: [[Wikipedia:Alexander Vasilyevich Alexandrov|Alexander Vasilyevich Alexandrov]] (1883-1946) and Lyricist: [[Wikipedia:Sergei Jakowlewitsch Alymow|Sergei Jakowlewitsch Alymow]] (1892-1948)) * Side B: [[Wikipedia:Alexandrov Ensemble|Ensemble de Chant de l'Armée Rouge de l'USSR]], Cornet solo: K. Lemechko: [[Wikipedia:Polyushko-polye|Plaine, ma plaine]] (Composer: [[Wikipedia:Lev Knipper|Léon Knipper]] (1898-1974) and Lyricist: [[Wikipedia:Viktor Gusev|Viktor Gusev]] (1909-1944)) + |
| Le Chant du Monde S 29164 + | * Side A: Franz Gastl ([[Wikipedia:Zither|Zither]]) und sein Orchester: Ball an Bord (Walzer) (Composer: [[:en:Franz Gastl|Franz Gastl]] (?)) * Side B: Franz Gastl ([[Wikipedia:Zither|Zither]]) und sein Orchester: Heut' hab' ich ein Rendez-vous (Walzer) (Composer: [[:en:Franz Gastl|Franz Gastl]] (?)) + |
| Cimaphon-518-117 + | https://en.wikipedia.org/wiki/The_Blue_Danube + |
| Cimaphon-518-118 + | https://en.wikipedia.org/wiki/Du_und_du + |
| Columbia 872 + | * Baritone solo (unknown artist): [[Wikipedia:Won't You Come Home Bill Bailey|Bill Bailey, Won't You Please Come Home?]] (1902) (Composer: [[Wikipedia:Hughie Cannon|Hughie Cannon]] (1877-1912)) + |
| Columbia A 1685 + | * Side A: [[Wikipedia:Margaret Woodrow Wilson|Margaret Woodrow Wilson]] (1886-1944): [[Wikipedia:The Star-Spangled Banner|The Star-Spangled Banner]] (Composer: [[Wikipedia:John Stafford Smith|John Stafford Smith]] (1750-1836) and Lyricist: [[Wikipedia:Francis Scott Key|Francis Scott Key]] (1779-1843)) * Side B: The Columbia Band: Medley of Patriotic Airs ("America (America the Beautiful)" (Composer: [[Wikipedia:Samuel A. Ward|Samuel Augustus Ward]] (1847-1903) and Lyricist: [[Wikipedia:Katharine Lee Bates|Katharine Lee Bates]] (1859-1929)), "[[Wikipedia:Yankee Doodle|Yankee Doodle]]" (Composer: unknown; Lyricist: Richard Shuckburgh (18th century)), "[[Wikipedia:Columbia, the Gem of the Ocean|Columbia, the Gem of the Ocean]]" (published by David T. Shaw, originally composed by Thomas á Becket (1808-1890)), "[[Wikipedia:Marching Through Georgia|Marching Through Georgia]]" (Composer and Lyricist: [[Wikipedia:Henry Clay Work|Henry Clay Work]] (1832-1884)) and "[[Wikipedia:Dixie (song)|Dixie]]" (Composer and Lyricist: [[Wikipedia:Dan Emmett|Dan Emmett]] (1815-1904))) + |
| Columbia D 14530 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.01: E soffitto e pareti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.02: E son molti i parenti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14531 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.03: Ed è bella la sposa? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.04: Eco son giunte ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14532 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.05: Nessuno sì confessa (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.06: Vieni amor mio (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14533 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.07: Tutti zitti (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.08: Cio-Cio-San! Cio-Cio-San! (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14534 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.09: Viene la sera (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.10: Stolta paura ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14535 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.11: Io t'ho ghermita (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.12: E Izaghi ed Izanami (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14536 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.13: Perchè con tante cure (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.14: Un bel dì vedremo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14537 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.15: C'è, entrate (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.16: Jamadori ancor le pene ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14538 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.17: Ora a noi, sedete qui (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.18: E questo? E questo? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14539 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.19: Io scendo al piano (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.20: Una nave da guerra (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14540 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.21: Spoglio è l'orto (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.22: Nello shosi or farem ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14541 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.23: Intermezzo (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.24: Oh eh! Oh eh! (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14542 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.25: Chi sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.26: Si, tutto in un istante (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 14543 + | * Side A: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.27: Tu Suzuky ... (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) * Side B: Rosetta Pampanini (Soprano), Conchita Velasquez (Mezzosoprano), Ferrari Cesira (Soprano), Alessandro Grando (Tenore), Gino Vanelli (Baritone), Giuseppe Nessi (Tenore), Aristide Baracchi (Tenore), Salvatore Baccalone (Basso) and Lino Bonardi (Baritone): No.28: Il bimbo ove sia? (Madama Butterfly (Composer: Giacomo Puccini (1858-1924); Lyricists: Luigi Illica (1857–1919) and Giuseppe Giacosa (1847-1906))) + |
| Columbia D 16382 + | * Side A: Soprano: Maria Barrientos (1883-1946); Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Dunque io son ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868))) * Side B: Baritono: Riccardo Stracciari (1875-1955): [[:en:The Barber of Seville|Barbiere di Siviglia]]: Largo al factotum ([[:en:Il barbiere di Siviglia (Rossini)|Il barbiere di Siviglia]] ([[:en:Gioachino Rossini|Gioachino Rossini]] (1792-1868))) + |
| Columbia DX 1283-1301 + | Part 1-38 (Part 1: ?; Part 2: ?; Part 3: ?) '''78 rpm discs:''' [[Columbia DX 1283|DX 1283]] · [[Columbia DX 1284|DX 1284]] · [[Columbia DX 1285|DX 1285]] · [[Columbia DX 1286|DX 1286]] · [[Columbia DX 1287|DX 1287]] · [[Columbia DX 1288|DX 1288]] · [[Columbia DX 1289|DX 1289]]<br>[[Columbia DX 1290|DX 1290]] · [[Columbia DX 1291|DX 1291]] · [[Columbia DX 1292|DX 1292]] · [[Columbia DX 1293|DX 1293]] · [[Columbia DX 1294|DX 1294]] · [[Columbia DX 1295|DX 1295]] · [[Columbia DX 1296|DX 1296]] · [[Columbia DX 1297|DX 1297]]<br>[[Columbia DX 1298|DX 1298]] · [[Columbia DX 1299|DX 1299]] · [[Columbia DX 1300|DX 1300]] · [[Columbia DX 1301|DX 1301]]<br> '''Audio file licenses:''' [[Columbia-dx1283-cax9602|01]] · [[Columbia-dx1283-cax9572|02]] · [[Columbia-dx1284-cax9573|03]] · [[Columbia-dx1284-cax9575|04]] · [[Columbia-dx1285-cax9593|05]] · [[Columbia-dx1285-cax9594|06]] · [[Columbia-dx1286-cax9591|07]] · [[Columbia-dx1286-cax9578|08]] · [[Columbia-dx1287-cax9582|09]] · [[Columbia-dx1287-cax9595|10]] · [[Columbia-dx1288-cax9596|11]] · [[Columbia-dx1288-cax9576|12]] · [[Columbia-dx1289-cax9603|13]] · [[Columbia-dx1289-cax9608|14]] · [[Columbia-dx1290-cax9604|15]]<br>[[Columbia-dx1290-cax9579|16]] · [[Columbia-dx1291-cax9605|17]] · [[Columbia-dx1291-cax9592|18]] · [[Columbia-dx1292-cax9583|19]] · [[Columbia-dx1292-cax9586|20]] · [[Columbia-dx1293-cax9584|21]] · [[Columbia-dx1293-cax9587|22]] · [[Columbia-dx1294-cax9588|23]] · [[Columbia-dx1294-cax9577|24]] · [[Columbia-dx1295-cax9574|25]] · [[Columbia-dx1295-cax9580|26]] · [[Columbia-dx1296-cax9585|27]] · [[Columbia-dx1296-cax9609|28]] · [[Columbia-dx1297-cax9598|29]] · [[Columbia-dx1297-cax9590|30]] · [[Columbia-dx1298-cax9581|31]] · [[Columbia-dx1298-cax9599|32]] · [[Columbia-dx1299-cax9606|33]] · [[Columbia-dx1299-cax9607|34]] · [[Columbia-dx1300-cax9589|35]]<br>[[Columbia-dx1300-cax9597|36]] · [[Columbia-dx1301-cax9600|37]] · [[Columbia-dx1301-cax9601|38]] + |
| Columbia DX 1285 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.05: Recit: Thus Saith the Lord; Air: But who may abide (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: Norman Walker (1907-1963): No.06: Air: But who may abide (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1286 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.07: Chorus: And He Shall Purify (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.08: Recit: Behold a virgin shall conceive; Air: O thou that tellest (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1287 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.09: Aria: O thou that tellest (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.10: Recit: For behold, darkness shall cover the earth (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1288 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.11: Air: The people that walked in the darkness (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.12: Chorus: For Unto us a Child is Born (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1289 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.13: Chorus: Pastoral Symphony (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.14: Recit: (a) There were shepherds; (b) And Io, the Angel of the Lord; (c) And suddenly; Chorus: Glory to God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1290 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.15: Air: Rejoice greatly O daughter of Zion (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.16: Recit: Then shall the eyes of the blind; Air: He shall feed his flock (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1291 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.17: Air: He shall feed his flock (Part Two) (Come unto Him) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.18: Chorus: His Yoke is Easy (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1292 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.19: Chorus: Behold the Lamb of God (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Contralto: [[Wikipedia:Gladys Ripley|Gladys Ripley]] (1908-1955): No.20: Air: He was despised (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1293 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.21: Chorus: Surely he hath borne our griefs (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.22: Chorus: And with His Stripes (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1296 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.27: Chorus: Lift up your heads (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.28: Chorus: The Lord gave the word; Air: How Beautiful are the Feet (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1297 + | * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.29: Chorus: There sound is gone out; Air: Why do the Nations? (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.30: Chorus: Let us break their bonds asunder (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
| Columbia DX 1299 + | * Side A: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.33: Air: I Know that my Redeemer Liveth (First Part) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Soprano: [[Wikipedia:Isobel Baillie|Isobel Baillie]] (1895-1983): No.34: Air: I Know that my Redeemer Liveth (Conclusion) (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) + |
