Difference between revisions of "Hmv-d1147-04898"

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Revision as of 15:08, 27 April 2017

Audio track information

Title/Work Requiem in D minor, K 626
Subtitle/Content a) Kyrie Eleison b) Dies Irae
Author(s)/Composer(s) Wolfgang Amadeus Mozart (1756 - 1791) Show information on MusicBrainz
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Genre(s) Requiem Masses
Language lat
Conductor(s) Charles Kennedy Scott (1876 - 1965) Show information on MusicBrainz
Performer(s) London Philharmonic Choir (Choir,1947 - ) Show information on MusicBrainz
Label His Master's Voice
Part of record D 1147
Matrix/StamperID C4898, CR288III
Recording location Queen's Hall, Langham Place, London (United Kingdom)
1st recording date 1926/07/06
1st release date 1927
1st release location (origin) GB
References https://en.wikipedia.org/wiki/Charles_Kennedy_Scott#Recordings_2

Mozart: Requiem Mass, K 626 (abridged version): Requiem aeternam, Kyrie, Dies Irae, Domine Jesu Christe, Hostias, Agnus Dei, Lux aeterna, Cum sanctis tuis. Soloists, Philharmonic Chorus and Orchestra, directed by C. Kennedy Scott, 6 July 1926, Queen's Hall (3 12" 78rpm, HMV D 1147-49: others unpublished)

https://web.archive.org/web/20101121073419/http://www.damians78s.co.uk/html/charles_kennedy_scott.html

Mozart Requiem Agnus Dei - Lux aeterna Cum sanctis Garda Hall, soprano Philharmonic Choir, Orchestra, Charles Kennedy Scott

His Masters Voice D 1149 Matrices: CR 550-IA, 551-II (04879, 04880) Recorded 6th July 1926, Queens Hall, London

The Requiem consists of the following sections: 1. Requiem aeternam Kyrie 2. Dies Irae 3. Tuba Mirum 4. Rex Tremendae Majestatis 5. Recordare 6. Confutatis 7. Lacrymosa 8. Domine Jesu 9. Hostias 10. Sanctus and Hosanna 11. Benedictus 12. Agnus Dei, Lux aeternam & Cum sanctis

Kennedy Scott recorded 9, 1b & 2, 8, 7 & 10 and 3 on April 12th 1926. None of the takes were used. In the second session on 6th July 1926 he recorded 9, 1b & 2, 8, 7 & 10, 1a, 4 & 6 and 12 (2 sides given here). From this session, parts 1a, 1b & 2, 8, 9 and 12 were issued. The soloists were Garda Hall, Nellie Walker, Sydney Coltham and Edward Halland. The solo trombone in Tuba mirum was Jesse Stamp. Thus only parts 5 and 11 were not attempted both feature just the solo quartet (though this is also the case for 3). If the unissued matrices still exist, then there is a virtually complete 1926 Mozart Requiem lurking in the archives.

Interestingly, in the early recorded history of this work, Albert Coates was recorded live in 1927 conducting the Dies irae, Rex tremendae and Sanctus this was at the same concert where Chaliapin performed Rimsky-Korsakovs Mozart and Salieri.


Digitized audio track

Licensing

    
Public domain This work is in the public domain because its copyright has expired.

This applies to Switzerland and those countries with a copyright term of life of the author plus 70 years and a copyright term of 50 years after the first publishing date. (Copyright Act, CopA)

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Public domain This work is in the public domain because its copyright has expired.

This applies the European Union and those countries with a copyright term of life of the author plus 70 years and a copyright term of 70 years after the first publishing date.

Dialog-warning.png Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years, Russia has 74 years for some authors. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term.

European Union

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Public domain This work is in the public domain because its copyright has expired.

This applies worldwide.

United Nations
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PD GB 1998
PD CH 1978
PD EU 1998
PD USA 1978
PD INT 1998
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