Difference between revisions of "Decca-k1287-ar8763"
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− | == Audio file | + | == Audio file == |
− | {{Audio file | + | {{Audio file |
− | |Image= | + | |Image= {{PAGENAME}}.jpg |
|Label= Decca Records | |Label= Decca Records | ||
|Catalogue number= K 1287 | |Catalogue number= K 1287 | ||
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|Content= Suite No. 1: Entr' acte Act 4 (Aragonaise) / Suite No. 2: Habanera | |Content= Suite No. 1: Entr' acte Act 4 (Aragonaise) / Suite No. 2: Habanera | ||
|Genre= Opera terminology | |Genre= Opera terminology | ||
− | |FLAC= [http://pool.publicdomainproject.org/audio/flac/ | + | |FLAC= [http://pool.publicdomainproject.org/audio/flac/decca/decca-k1287-ar8763.flac FLAC] |
|Ogg= none | |Ogg= none | ||
|Pdch= 1 January 1999 | |Pdch= 1 January 1999 |
Latest revision as of 10:23, 17 August 2018
Audio file
Title/Work | Carmen | ||||||
Author(s)/Composer(s) | Georges Bizet (1838-1875) | ||||||
Image(s) |
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High resolution audio (Flac) | FLAC | ||||||
Compressed audio (Ogg Vorbis) | none | ||||||
Genre(s) | Opera terminology | ||||||
Content | Suite No. 1: Entr' acte Act 4 (Aragonaise) / Suite No. 2: Habanera | ||||||
Description | Decca K 1287 | ||||||
Lyricist(s) | Henri Meilhac (1831-1897) and Ludovic Halévy (1834-1908) | ||||||
Music arranger(s) | none | ||||||
Conductor(s) | Anatole Fistoulari (1907-1995) | ||||||
Performer(s) | National Symphony Orchestra of London | ||||||
Vocal range | instrumental | ||||||
Label | Decca Records | ||||||
Cat. no. | K 1287 | ||||||
Order number | AR 8763 | ||||||
Matrix/StamperID | AR 8763-2 | ||||||
Place of recording | London (United Kingdom) | ||||||
1st recording date | 13 October 1944[1]
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Coupling date | unknown | ||||||
Cutout date | unknown The date "unknown" was not understood. |
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1st release date | 1948[2]
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PD CH | 1 January 1999 | ||||||
PD EU | 1 January 2019 | ||||||
PD USA | 1 January 2019 | ||||||
PD INT | 1 January 2019 |
References
- ↑ CHARM: Composer: BIZET, Work: Carmen - Suite No. 1, Performer: National Symphony Orchestra, Date: 1944-10-13, CSV
- ↑ AHRC Research Centre for the History and Analysis of Recorded Music: >0297 [a] 3,11, [bcd] 4, [def] 5, [g] 13 Oct & [f] 1 Nov 1944 Kingsway Hall - National Symphony Orchestra, [a] Sidney Beer / [b-g] Anatole Fistoulari - [a] BIZET L’Arlésienne : excerpts AR8725-28/57 - [b] BERLIOZ Marche hongroise Op.24 AR8729 - [c] GLIERE Russian Sailor’s Dance Op.70 AR8730 - [d] TCHAIKOVSKY Marche Slave Op.31 AR8731/34 - [e] WEBER-BERLIOZ L’Invitation à la valse AR8732-33 - [f] SUPPÉ Pique Dame : Overture AR8735/8806 [g] BIZET Carmen : Suites Nos.1 & 2 : excerpts AR8762-65 [e] (Aug45) K1108; (cJan50) T5268, [a] (Jly49) AK1278-80; (Apr48) EDA42, (c50) T5341-43 = LA141, [bc] (c47-48) K1281, [d] (Jun47) K1282, [f] (c47-48) K1283; (c50) T5470, [g] (c47-48) K1286-87; (Apr48) EDA41, [a-d] (Apr95) Dutton CDK1200., Link to the record
Licensing
This work is in the public domain because its copyright has expired. This applies to Switzerland and those countries with a copyright term of life of the author plus 70 years and a copyright term of 50 years after the first publishing date. (Copyright Act, CopA) Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Colombia has 80 years, and Guatemala and Samoa have 75 years, Russia has 74 years for some authors. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Côte d'Ivoire has a general copyright term of 99 years and Honduras has 75 years, but they do implement the rule of the shorter term.
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