Difference between revisions of "Columbia DX 1300"
From PUBLIC DOMAIN PROJECT MEDIAPOOL
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|Reference= [[:Category:Carl Flisch collection|Carl Flisch collection]]; [http://www.charm.rhul.ac.uk CHARM] | |Reference= [[:Category:Carl Flisch collection|Carl Flisch collection]]; [http://www.charm.rhul.ac.uk CHARM] | ||
|Content= * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) | |Content= * Side A: Huddersfield Choral Society (Chorus master: Herbert Bardgett (?)); Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)): No.35: Chorus: Since my man came death (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) | ||
− | * Side B: | + | * Side B: Royal Liverpool Philharmonic (Conductor: Malcolm Sargent (1895-1967)); Bass: [[Wikipedia:Norman Walker (bass)|Norman Walker]] (1907-1963): No.36: Recit: Behold, I tell you a mystery; Air: The Trumpet shall sound (Messiah (Composer: George Frideric Handel (1685-1759) and Lyricist: Charles Jennens (1700-1773))) |
|Description= [[Columbia DX 1283-1301]] | |Description= [[Columbia DX 1283-1301]] | ||
|other_versions= | |other_versions= |
Revision as of 17:39, 26 December 2012
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Content of the record |
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Notes | |||||||
Medium | 78 rpm record (double sided, 12") | ||||||
Label | Columbia Records | ||||||
Cat. no. | DX 1300 | ||||||
Order number |
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Matrix/StamperID | [[StamperID::CAX 9589 / CAX 9597 ]] | ||||||
1st release date | 1947 | ||||||
Place of recording | Liverpool (United Kingdom) | ||||||
1st recording date | 13 July 1946 (CAX 9589) / 15 July 1946 (CAX 9597) The date "13 July 1946 (CAX 9589) / 15 July 1946 (CAX 9597)" was not understood. The date "13 July 1946 (CAX 9589) / 15 July 1946 (CAX 9597)" was not understood. |
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Coupling date | 1946 | ||||||
Cutout date | unknown The date "unknown" was not understood. |
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References | Carl Flisch collection; CHARM | ||||||
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