Hmv-db8455-2ba2370

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Audio file information

Image(s) see below (if available)

Label His Master's Voice
Cat. no. DB 8455
Order number 2BA 2370
Matrix/StamperID 2BA 2370II
1st release date June 1938[1]
1st recording date 1 March 1938[2]
Coupling date unknown
Cutout date unknown
Place of recording unknown
Description HMV DB 8455, Album
Author(s)/Composer(s) Giacomo Puccini (1858-1924)
Lyricist(s) none
Music arranger(s) none
Conductor(s) Umberto Berrettoni (unknown birth/death date)
Performer(s) Alcindoro/Benoit: Carlo Scattola[3] (1878-1947), Marcello: Afro Poli (1902-1988), Rodolfo: Beniamino Gigli (1890-1957), Schaunard: Aristide Baracchi (1885-1964), Colline: Duilio Baronti (1904-1998) and members of La Scala Theatre Orchestra and Chorus
Vocal range Carlo Scattola (basso), Afro Poli (baritone), Beniamino Gigli (tenore), Aristide Baracchi (baritone) and Duilio Baronti (basso)
Title/Work La bohème (Act 1)
Content No. 4: E son piene di doglio (Full of aches and mourning)
Genre(s) Opera terminology
FLAC Part 4
Ogg (Vorbis/Theora) Part 4, Part 4 (Commons)
PD CH 1 January 1999
PD EU 1 January 2009
PD USA 1 January 2019
PD INT 1 January 2025

References

  1. ↑ Google Books: The complete BOHÈME from which this "Che gelida manina" has been excerpted was released in June, 1938 as HMV Album Series 313 (manual DB 3448-3460 and automatic 8452-8464), Link to the record
  2. ↑ CHARM: dito with: Composer: PUCCINI, Work: La bohème - Questo Mar Rosso, Performer: Berrettoni, Umberto, Date: 1938-03-01; Catalogue: Gray; CatNum: DB3449; Date: 1938-03-01; Label: La voce del padrone; Conductor: Berrettoni, Umberto; Composer: PUCCINI; Title: La bohème - E son piene di doglio; Num: 2BA 2370; Conductor: Berrettoni, Umberto, CSV of the record
  3. ↑ Oxford Index: The New Grove Dictionary of Opera, issue Published in print December 1992 - Published online January 2001 - e-ISBN: 9781561592630: Scattola, Carlo (died 1947), bass; (b ?1878; d Milan, 1947). Italian bass. He came to be associated almost entirely with comic parts, but sang in a wider repertory in his early years, as in recorded excerpts from Mefistofele, Faust and Ernani. He first appeared at La Scala in 1922, scoring a notable success in Wolf-Ferrari’s I quatro rusteghi and in the première of Rocca’s Il dibuk. From 1926 to 1935 he appeared, Link to the record

Licensing

    
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